Making the Americas modern: hemispheric art, 1910-1960

Por: Sullivan, EdwardTipo de material: TextoTextoEditor: London: Laurence King Publishing, 2018Descripción: 336 p. il. colISBN: 9781786271556Tema(s): MODERNISMO | HISTORIA DEL ARTE
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Tipo de ítem Ubicación actual Signatura Estado Fecha de vencimiento Código de barras
Libro Libro Manuel Solari Swayne
709.04 S47M Disponible 015970
Libro Libro Manuel Solari Swayne
709.04 S47M Disponible 015971

Prologue: Fragmentary histories of hemispheric art, 1910-1960 : Exhibiting modern art, 1910-1960 -- Time frames -- Divisions of the story -- End of the story. 1 The expanding mind: symbolist imagery in the Americas : American decadence and redemption, c.1910-1930 -- North American visionaries -- Cannibals in the southern cone: Alejandro Xul Solar and Tarsila do Amaral. 2 A sense of place: landscapes, cityscapes, and Topographies of the self : The year 1916 -- Landscapes of the mind -- Southwest reveries -- Canadian wilderness -- Mexican volcanoes -- Cityscapes -- South of the U.S. border. 3 Visualizing blackness in the Americas : Blackness in the modernist imagination -- Blackness, dance, music, and ritual -- black faces, black bodies -- Labor and struggle -- Black abstractions. 4 Cross-border dialogues : Revolutionary art: between exaltation and despair -- Public arts on both sides of the border -- Muralism, teaching, and learning. 5 Labor, anxiety, and a new social order : Anxiety -- Lynchings -- Clouds of war -- Eye witness -- Labor and exile -- Exile and migration. 6 The liberated line: toward abstracted form : Alternative histories -- Abstracted nature -- Surrealism into abstraction -- Site-specific abstraction. 7 The cube, sphere, and cone; constructed abstractions in the Americas : American responses to geometric form, c.1910-1920 -- Joaquin Torres-Garci´a, the Torres-Garci´a workshop, and arithmetical proportion -- Geometric Manhattan -- Río de la Plata: beyond Torres - experimentation in the 1940s -- Brazil builds -- Havana - Paris - New York - Montreal. 8 Modern visionaries and the intuitive imagination : Trans-American surrealism -- The 1940s and 50s in Latin America: surrealist affinities -- From Mexico to Manhattan and beyond -- Dance, visual art, and visionary modernity -- Popular arts, the intuitive eye, and modernity. Epilogue: Into the future : Pop art and revolution -- Art for all -- Environments and total participation -- Art and terror. Endnotes -- Further reading -- Index -- Picture credits.

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