000 | 01493nam a22004937a 4500 | ||
---|---|---|---|
001 | 005683 | ||
008 | 160926s1922||||xxua|||| |||| 00| 0 eng d | ||
245 |
_aPrinciples of Art History: _b The problem of the development of style in later art |
||
100 | 1 |
_aWolfflin, Heinrich _910588 |
|
260 |
_a[New York]: _bDover Publications, _c1922 |
||
300 |
_a237 p _bil. |
||
650 |
_aTEORIA DEL ARTE _99311 |
||
650 |
_aHISTORIA DEL ARTE _97649 |
||
500 | 0 | _aLinear and painterly -- Plane and recession -- Closed and open form -- Multiplicity and unity -- Clearness and unclearness | |
942 | 0 | 0 | _cLIBRO |
901 |
_a709 _b709 _cW78In |
||
902 | _aM | ||
903 | _aM | ||
904 | _aD | ||
905 | _aGarcía Bryce, José | ||
905 | _aLegado Alejandro Miro Quesada Garland | ||
906 | _a0305 | ||
906 | _a130923 | ||
907 | _a006577 | ||
907 | _a012285 | ||
913 | _aWolfflin, Heinrich | ||
915 | _aPrinciples of Art History: The problem of the development of style in later art | ||
917 | _a237 p | ||
928 | _aDover Publications | ||
929 | _a[New York] | ||
930 | _aUS | ||
932 | _ail. | ||
933 | _a1922 | ||
934 | _a19220000 | ||
947 | _aEN | ||
948 | _aLinear and painterly -- Plane and recession -- Closed and open form -- Multiplicity and unity -- Clearness and unclearness | ||
954 | _aHISTORIA DEL ARTE | ||
960 |
_a _aEUROPA |
||
964 | _a0305 | ||
965 | _agvbh | ||
966 | _a060421 | ||
999 |
_c9405 _d9405 |