000			02320nam a22005537a 4500
001			014553
008			160926s2017||||xxua|||| |||| 00| 0 eng d
245			_aThe mobility of modernism: _b art and criticism in 1920s Latin America
100	1		_aMontgomery, Harper _919609
260			_aAustin: _bUniversity of Texas Press, _c2017
300			_a319 p. _bil., col.
650			_aCRITICA Y APRECIACION _920575
650			_aARTE Y SOCIEDAD _97687
650		0	_aArte moderno _97803
650			_aARTE LATINOAMERICANO _97822
650		0	_aCrítica de Arte _916285
500		0	_aAcknowledgments IntroductionChapter -- Circulation: Latin American Art in AmautaChapter -- Relocation: Carlos Merida Moves to Mexico CityChapter -- Homecoming: Emilio Pettoruti and Xul Solar Return to Buenos AiresChapter --Dissemination: Woodcuts Reproduce Artistic LaborChapter -- Reproduction: Norah Borges Draws Modern FemininityChapter -- Pedagogy: Mexican Children's Art Becomes Revolutionary -- Conclusion Notes -- Bibliography -- Index.
942	0	0	_cLIBRO
901			_a709.80904 _b709.80904 _cM84M
902			_aM
903			_aM
904			_aD
905			_aMajluf, Natalia
906			_a181220
907			_a016754
913			_aMontgomery, Harper
915			_aThe mobility of modernism: art and criticism in 1920s Latin America
917			_a319 p.
928			_aUniversity of Texas Press
929			_aAustin
930			_aUS
932			_ail., col.
933			_a2017
934			_a20170000
947			_aEN
948			_aAcknowledgments IntroductionChapter -- Circulation: Latin American Art in AmautaChapter -- Relocation: Carlos Merida Moves to Mexico CityChapter -- Homecoming: Emilio Pettoruti and Xul Solar Return to Buenos AiresChapter --Dissemination: Woodcuts Reproduce Artistic LaborChapter -- Reproduction: Norah Borges Draws Modern FemininityChapter -- Pedagogy: Mexican Children's Art Becomes Revolutionary -- Conclusion Notes -- Bibliography -- Index.
954			_aARTE LATINOAMERICANO
960			_a _aAMERICA LATINA
961			_a _a _aSIGLO XX
962			_a1920
964			_a190129
965			_arca
966			_agvbh
999			_c18264 _d18264