000 | 01624nam a22005057a 4500 | ||
---|---|---|---|
001 | 014060 | ||
008 | 160926s1998||||pe a|||| |||| 00| 0 spa d | ||
020 | _a0262631601 | ||
245 |
_aThe Reconfigured Eye: _b visual truth in the post-photographic era |
||
100 | 1 |
_aRomero Frías, Rafael _924310 |
|
250 | _a3 | ||
260 |
_aCambridge: _bThe Mit Press, _c1998 |
||
300 |
_a273 p. _bil., col. |
||
650 |
_aTÉCNICAS DIGITALES _924554 |
||
650 |
_aTECNOLOGÍA _911513 |
||
650 | 0 |
_aFotografía _97744 |
|
500 | 0 | _aBeginnings -- The nascent medium -- Intention and artifice -- Electronic tools -- Digital brush strokes -- Virtual cameras -- Synthetic shading -- Computer collage -- How to do things with pictures. | |
942 | 0 | 0 | _cLIBRO |
901 |
_a621.367 _b621.367 _cM67 |
||
902 | _aM | ||
903 | _aM | ||
904 | _aD | ||
905 | _aHare, Billy | ||
906 | _a170301 | ||
907 | _a015104 | ||
913 | _aRomero Frías, Rafael | ||
915 | _aThe Reconfigured Eye: visual truth in the post-photographic era | ||
917 | _a273 p. | ||
928 | _aThe Mit Press | ||
929 | _aCambridge | ||
930 | _aUK | ||
931 | _a3 | ||
932 | _ail., col. | ||
933 | _a1998 | ||
936 | _a0-262-63160-1 | ||
947 | _aES | ||
948 | _aBeginnings -- The nascent medium -- Intention and artifice -- Electronic tools -- Digital brush strokes -- Virtual cameras -- Synthetic shading -- Computer collage -- How to do things with pictures. | ||
954 | _aTECNOLOGÍA | ||
964 | _a171116 | ||
965 | _arca | ||
966 | _agvbh | ||
999 |
_c17771 _d17771 |