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|---|---|---|---|
| 001 | 013885 | ||
| 008 | 160926s2012||||pe a|||| |||| 00| 0 eng d | ||
| 020 | _a9780300136845 | ||
| 245 | _aWhy photography matters as art as never before | ||
| 100 | 1 |
_aFried, Michael _915971 |
|
| 260 |
_aLondon: _bYale University Press, _c2012 |
||
| 300 |
_a409 p. _bil. col. |
||
| 650 | 0 |
_aFotografía Artística _916674 |
|
| 650 | 0 |
_aFotografía _97744 |
|
| 500 | 0 | _aThree Beginnings -- Jeff Wall and Absorption; Heidegger on Worldhood and Technology -- Jeff Wall, Wittgenstein, and the Everyday -- Barthes's Punctum -- Thomas Struth's Museum Photographs -- Jean-Francois Chvrier on the "Tableau Form"; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Ronald Fischer; Douglas Gordon and Philippe Parreno's Film Zidane -- Street Photography Revisited: Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's Allegories of Intention; "Exclusion" in Candida Hofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "Bad" Objecthood James Welling, Bernd and Hilla Becher, Jeff Wall -- Conclusion: Why Photography Matters as Art as Never Before. | |
| 942 | 0 | 0 | _cLIBRO |
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_a770.1 _b770.1 _cF84 |
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| 902 | _aM | ||
| 903 | _aM | ||
| 904 | _aD | ||
| 905 | _aHare, Billy | ||
| 906 | _a170317 | ||
| 907 | _a015118 | ||
| 913 | _aFried, Michael | ||
| 915 | _aWhy photography matters as art as never before | ||
| 917 | _a409 p. | ||
| 928 | _aYale University Press | ||
| 929 | _aLondon | ||
| 930 | _aUK | ||
| 932 | _ail. col. | ||
| 933 | _a2012 | ||
| 934 | _a20120000 | ||
| 936 | _a978-0-300-13684-5 | ||
| 947 | _aEN | ||
| 948 | _aThree Beginnings -- Jeff Wall and Absorption; Heidegger on Worldhood and Technology -- Jeff Wall, Wittgenstein, and the Everyday -- Barthes's Punctum -- Thomas Struth's Museum Photographs -- Jean-Francois Chvrier on the "Tableau Form"; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Ronald Fischer; Douglas Gordon and Philippe Parreno's Film Zidane -- Street Photography Revisited: Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's Allegories of Intention; "Exclusion" in Candida Hofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "Bad" Objecthood James Welling, Bernd and Hilla Becher, Jeff Wall -- Conclusion: Why Photography Matters as Art as Never Before. | ||
| 954 | _aFOTOGRAFÍA | ||
| 964 | _a170905 | ||
| 965 | _arca | ||
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_c17596 _d17596 |
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