000 | 01669nam a22005297a 4500 | ||
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001 | 010069 | ||
008 | 160926s1951||||sw a|||| |||| 00| 0 eng d | ||
245 | _aThe nineteenth Century new sources of emotion from Goya to Gauguin | ||
100 | 1 |
_aRaynal, Maurice, tex _919986 |
|
260 |
_aSwitzerland: _bSKIRA, _c1951 |
||
300 |
_a147 p. _bil., col. |
||
650 |
_aACADEMICISMO _99935 |
||
650 |
_aROMANTICISMO _910569 |
||
650 | 0 |
_aImpresionismo _99139 |
|
650 |
_aPINTURA EUROPEA _98176 |
||
500 | 0 | _aFrom classical order to constructive sensibility (David - Ingres) -- Toward the discovery of a new world: man and light (Goya, Constable, Turner, Bonington) ... | |
942 | 0 | 0 | _cLIBRO |
901 |
_a759.05 _b759.05 _cN |
||
902 | _aM | ||
903 | _aM | ||
904 | _aD | ||
905 | _aLegado Alejandro MirĂ³ Quesada Garland | ||
906 | _a131118 | ||
907 | _a012379 | ||
913 |
_aRaynal, Maurice _ftex |
||
915 | _aThe nineteenth Century new sources of emotion from Goya to Gauguin | ||
916 |
_aEmmons, James _etrad |
||
917 | _a147 p. | ||
918 | _aThe Great Centuries of Painting | ||
928 | _aSKIRA | ||
929 | _aSwitzerland | ||
930 | _aSE | ||
932 | _ail., col. | ||
933 | _a1951 | ||
934 | _a19511010 | ||
947 | _aEN | ||
948 | _aFrom classical order to constructive sensibility (David - Ingres) -- Toward the discovery of a new world: man and light (Goya, Constable, Turner, Bonington) ... | ||
954 | _aPINTURA EUROPEA | ||
960 |
_a _aEUROPA |
||
961 |
_a _a _aSIGLO XIX |
||
964 | _a131119 | ||
965 | _apts | ||
999 |
_c13788 _d13788 |