000			03132nam a22005297a 4500
001			008659
008			160926s2010||||bl a|||| |||| 00| 0 eng d
020			_a9788591025404
245			_a2005-510117385-5: _b Rosangela Rennó
100	1		_aRennó, Rosangela _918093
260			_aRio de Janeiro: _bR. Rennó, _c2010
300			_a232 p. _bil., col., fot.
650			_aFOTOGRAFOS BRASILEROS _918094
650			_aHISTORIA DE BRASIL _918095
650			_aARTISTAS BRASILERAS _916939
500		0	_aThe title refers to the file number of the criminal investigation set-up by the Brazilian police after the theft of 751 photographs from the Brazilian National Library collection, located in Rio de Janeiro, which took place during a workers' strike in 2005. Three years passed and the investigation still open, only 101 photographs were recovered and reintegrated in the Library's collection. All of them had been mutilated in an attempt to erase the Library's property registration marks. The book created by Rennó is a photographic album where one can only see the backs of the photographs. The impossibility of having access to the image is a metaphor for the gap in the Brazilian visual heritage that this theft represents. By choosing historical photographs, in demand in the photography market, the offenders, without record of any imprisoning, stole part of the Brazilian memory which is now left void.
942	0	0	_cLIBRO
901			_a770.9281 _b770.9281 _cR41
902			_aM
903			_aM
904			_aD
905			_aRosangela Rennó
906			_a120322
907			_a011269
913			_aRennó, Rosangela
915			_a2005-510117385-5: Rosangela Rennó
917			_a232 p.
928			_aR. Rennó
929			_aRio de Janeiro
930			_aBR
932			_ail., col., fot.
933			_a2010
934			_a20100000
936			_a978-85-910254-0-4
947			_aEN
948			_aThe title refers to the file number of the criminal investigation set-up by the Brazilian police after the theft of 751 photographs from the Brazilian National Library collection, located in Rio de Janeiro, which took place during a workers' strike in 2005. Three years passed and the investigation still open, only 101 photographs were recovered and reintegrated in the Library's collection. All of them had been mutilated in an attempt to erase the Library's property registration marks. The book created by Rennó is a photographic album where one can only see the backs of the photographs. The impossibility of having access to the image is a metaphor for the gap in the Brazilian visual heritage that this theft represents. By choosing historical photographs, in demand in the photography market, the offenders, without record of any imprisoning, stole part of the Brazilian memory which is now left void.
954			_aARTISTAS BRASILERAS
956			_aRennó, Rosangela _e1962
960			_a _aBRASIL
961			_a _a _asiglo XXI
964			_a120814
965			_aset
966			_a121130
999			_c12380 _d12380