000 | 01868nam a22005417a 4500 | ||
---|---|---|---|
001 | 007378 | ||
008 | 160926s1997||||xxua|||| |||| 00| 0 eng d | ||
020 | _a0500550298 | ||
245 |
_aExperience or interpretation : _b the dilemma of museums of modern art |
||
100 | 1 |
_aSerota, Nicholas _916732 |
|
260 |
_aNew York: _bThames and Hudson, _c1997 |
||
300 |
_a63 p _bil. |
||
650 |
_aCONSERVACION _97751 |
||
650 |
_aGESTION DE MUSEOS _914230 |
||
650 |
_aTECNICAS DE EXHIBICION _916733 |
||
650 |
_aARTE Y MUSEOS _913291 |
||
650 |
_aMUSEOS _97717 |
||
500 | 0 | _aNicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations | |
942 | 0 | 0 | _cLIBRO |
901 |
_a069.53 _b069.53 _cS42 |
||
902 | _aM | ||
903 | _aM | ||
904 | _aC | ||
905 | _aFundaciĆ³n Getty | ||
906 | _a050422 | ||
907 | _a008026 | ||
913 | _aSerota, Nicholas | ||
915 | _aExperience or interpretation : the dilemma of museums of modern art | ||
917 | _a63 p | ||
928 | _aThames and Hudson | ||
929 | _aNew York | ||
930 | _aUS | ||
932 | _ail. | ||
933 | _a1997 | ||
934 | _a19970000 | ||
936 | _a0500550298 | ||
947 | _aEN | ||
948 | _aNicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations | ||
954 | _aMUSEOS | ||
964 | _a070215 | ||
965 | _ajvc | ||
966 | _a070215 | ||
999 |
_c11099 _d11099 |