000 | 01941nam a22005777a 4500 | ||
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001 | 007095 | ||
008 | 160926s1992||||xxua|||| |||| 00| 0 eng d | ||
020 | _a0262022885 | ||
245 |
_aThe contest of meaning: _b Critical histories of photography |
||
100 | 1 |
_aBolton, Richard, ed. _916430 |
|
260 |
_aMassachusetts: _bMassachusetts Institute of Technology, _c1992 |
||
300 |
_a407 p. _bil. |
||
650 | _aFotografia artistica | ||
650 | _aCritica | ||
650 |
_aHistoria de la fotografia _910865 |
||
650 | 0 |
_aFotografía _97744 |
|
500 | 0 | _aWhat are the social consequences of aesthetic practice? -- How does photography construct sexual difference? -- How is photography used to promote class and national interests? -- What are the politics of photographic truth? | |
942 | 0 | 0 | _cLIBRO |
901 |
_a770.9 _b770.9 _cB72 |
||
902 | _aM | ||
903 | _am | ||
904 | _aC | ||
905 | _aFundación Getty | ||
906 | _a050331 | ||
907 | _a007987 | ||
913 |
_aBolton, Richard _fed. |
||
915 | _aThe contest of meaning: Critical histories of photography | ||
917 | _a407 p. | ||
928 | _aMassachusetts Institute of Technology | ||
929 | _aMassachusetts | ||
930 | _aUS | ||
932 | _ail. | ||
933 | _a1992 | ||
934 | _a19920000 | ||
936 | _a0-262-02288-5 | ||
947 | _aEN | ||
948 | _aWhat are the social consequences of aesthetic practice? -- How does photography construct sexual difference? -- How is photography used to promote class and national interests? -- What are the politics of photographic truth? | ||
949 | _aCrimp, Douglas | ||
949 | _aPhillips, Christopher | ||
949 | _aBuchloh, Benjamin | ||
949 | _aSolomon-Godeau, Abigail | ||
954 | _aFOTOGRAFIA | ||
961 |
_a _a _aSiglo XX |
||
964 | _a060310 | ||
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966 | _a20060310 | ||
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