| 000 -CABECERA |
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| campo de control de longitud fija |
02902nam a22005177a 4500 |
| 001 - NÚMERO DE CONTROL |
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| campo de control |
009175 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
160926s1988||||pe a|||| |||| 00| 0 eng d |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Tagg, John |
| 9 (RLIN) |
18830 |
| 245 ## - MENCIÓN DE TÍTULO |
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| Título |
The burden of representation. Essays on photographies and histories |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
|---|
| Lugar de publicación, distribución, etc. |
Basingstoke: |
| Nombre del editor, distribuidor, etc. |
Macmillan Education , |
| Fecha de publicación, distribución, etc. |
1988 |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
[59 p.] |
| Otras características físicas |
il., b/n. |
| 500 #0 - NOTA GENERAL |
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| Nota general |
Photographs are used as documents, records and evidence every day in courtrooms and hospitals, on passports and driving licences. But how did photographs come to be established and accepted, what sort of agencies and institutions have the power to enforce this status and, more generally, what concept of photographic representation is entailed and what are its consequences? In addressing such issues, John Tagg traces a previously unexamined history which has profound implications not only for the theory and practice of conventionally separated areas of amateur, professional, technical, documentary and art photography, but also for the understanding of the role of photography in processes of modern social regulation. |
| 500 #0 - NOTA GENERAL |
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| Nota general |
Capitulo 1: A democracy of the image: photographic portraiture and commodity production |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
HISTORIA DE LA FOTOGRAFIA |
| 9 (RLIN) |
10865 |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
ANALISIS HISTORICO |
| 9 (RLIN) |
9318 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Ensayos |
| 9 (RLIN) |
8370 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Fotografía |
| 9 (RLIN) |
7744 |
| 942 00 - ELEMENTOS DE PUNTO DE ACCESO ADICIONAL (KOHA) |
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| Tipo de ítem Koha |
Libro |
| 901 ## - ELEMENTOS DE DATOS A LOCAL LDA (RLIN) |
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00922 |
| b |
00922 |
| 902 ## - ELEMENTOS DE DATOS B LOCAL, LDB (RLIN) |
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M |
| 903 ## - ELEMENTOS DE DATOS C LOCAL, LDC (RLIN) |
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m |
| 904 ## - ELEMENTOS DE DATOS D LOCAL, LDD (RLIN) |
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| a |
D |
| 905 ## - ELEMENTOS DE DATOS E LOCAL, LDE (RLIN) |
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| a |
Fondo Antiguo |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) |
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| a |
050505 |
| 908 ## - COLOCAR PARÁMETRO DE COMANDO (RLIN) |
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| Colocar parámetro de comando |
00922 |
| 913 ## - |
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| -- |
Tagg, John |
| 915 ## - |
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| -- |
The burden of representation. Essays on photographies and histories |
| 917 ## - |
|---|
| -- |
[59 p.] |
| 928 ## - |
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| -- |
Macmillan Education |
| 929 ## - |
|---|
| -- |
Basingstoke |
| 930 ## - EQUIVALENCIA O REFERENCIA CRUZADA-ENCABEZAMIENTO DE TÍTULO UNIFORME [LOCAL, CANADÁ] |
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| Título uniforme |
UK |
| 932 ## - |
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| -- |
il., b/n. |
| 933 ## - |
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| -- |
1988 |
| 934 ## - |
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| -- |
19880000 |
| 947 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
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| a |
EN |
| 948 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC); DESIGNADOR DE PARTE DE LA SERIE (RLIN) |
|---|
| Designador de la parte de la serie, SPT (RLIN) |
Photographs are used as documents, records and evidence every day in courtrooms and hospitals, on passports and driving licences. But how did photographs come to be established and accepted, what sort of agencies and institutions have the power to enforce this status and, more generally, what concept of photographic representation is entailed and what are its consequences? In addressing such issues, John Tagg traces a previously unexamined history which has profound implications not only for the theory and practice of conventionally separated areas of amateur, professional, technical, documentary and art photography, but also for the understanding of the role of photography in processes of modern social regulation. |
| 948 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC); DESIGNADOR DE PARTE DE LA SERIE (RLIN) |
|---|
| Designador de la parte de la serie, SPT (RLIN) |
Capitulo 1: A democracy of the image: photographic portraiture and commodity production |
| 954 ## - |
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| -- |
FOTOGRAFIA |
| 961 ## - |
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| -- |
|
| -- |
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| -- |
Siglo XX |
| 964 ## - |
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| -- |
121210 |
| 965 ## - |
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| -- |
set |
