| 000 -CABECERA |
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| campo de control de longitud fija |
07269nam a22006257a 4500 |
| 001 - NÚMERO DE CONTROL |
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| campo de control |
008521 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
160926s2009||||pe a|||| |||| 00| 0 eng d |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
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| Número Internacional Estándar del Libro |
9780199229840 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
|---|
| Nombre de persona |
Preziosi, Donald, ed. |
| 9 (RLIN) |
17946 |
| 245 ## - MENCIÓN DE TÍTULO |
|---|
| Título |
The art of art history. a critical anthology |
| 250 ## - MENCIÓN DE EDICIÓN |
|---|
| Mención de edición |
2 da |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
|---|
| Lugar de publicación, distribución, etc. |
New York: |
| Nombre del editor, distribuidor, etc. |
Oxford University Press, |
| Fecha de publicación, distribución, etc. |
2009 |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
591 p. |
| Otras características físicas |
il. b/n. |
| 500 #0 - NOTA GENERAL |
|---|
| Nota general |
Art as history. Lives of the painters, sculptors, and architects / Giorgio Vasari -- Reflections on the imitation of Greek works in painting and sculpture / Johann Joachim Winckelmann -- Winckelmann divided: mourning the death of art history / Whitney Davis -- Patterns of intention / Michael Baxandall -- Aesthetics. The critique of judgement / Immanuel Kant -- Philosophy of fine art / Georg Wilhelm Friedrich Hegel -- Impure mimesis, or the ends of the aesthetic / D. N. Rodowick -- Fetish / William Pietz -- Form, content, style. Principles of art history / Heinrich Wolfflin -- Style / Ernst Gombrich -- Form, nineteenth-century metaphysics, and the problem of art historical description / David Summers -- Style / David Summers -- Anthropology and/as art history. Leading characteristics of the late Roman Kunstwollen / Alois Riegl -- Images from the region of the Pueblo Indians of North America / Aby Warburg -- Warburg's concept of kulturwissenschaft and its meaning for aesthetics / Edgar Wind -- Silent moves: on excluding the ethnographic subject of discourse of art history / Claire Farago -- Mechanisms of meaning. Iconography and iconology: an introduction to the study of the renaissance art / Erwin Panofsky -- Semiotics and iconography / Hubert Damisch -- Semiotics and art history: a discussion of context and senders / Mieke Bal and Norman Bryson -- Meaning/interpretation / Stephen Bann -- Deconstruction and the limits to interpretation. The temptation of new perspectives / Stephen Melville -- The origin of the work of art / Martin Heidegger -- The still life as a personal object: a note on Heidegger and Van Gogh / Meyer Schapiro -- Restitutions of the truth in pointing [pointure] / Jacques Derrida -- Authorship and Identity. What is an author? / Michel Foucault -- The discourse of others: feminists and postmodernism / Craig Owens -- Re-viewing modernist criticism / Mary Kelly -- Performative acts and gender constitution: an essay in phenomenology and feminist theory / Judith Butler -- Postmodern automatons / Rey Chow -- Every man knows where and how beauty gives him pleasure: beauty discourse and the logic of aesthetics / Amelia Jones -- Queer wallpaper / Jennifer Doyle -- Globalization and its discontents. Orientalism and the exhibitionary order / Timothy Mitchell -- The art museum as ritual / Carol Duncan -- The work of art in the age of its technological reproducibility / Walter Benjamin -- Can our values be objective? on ethics, aesthetics and progressive politics / Satya P. Mohanty -- Visual culture studies: questions of history, theory, and practice / Marquard Smith -- Life-like: historicizing process and responsiveness in digital art / María Fernández -- Epilogue: the art of art history / Donald Preziosi -- Plato's dilemma and the tasks of the art historian today |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Crítica de Arte |
| 9 (RLIN) |
16285 |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
APRECIACION ARTISTICA |
| 9 (RLIN) |
9387 |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
HISTORIOGRAFIA |
| 9 (RLIN) |
8126 |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
HISTORIA DEL ARTE |
| 9 (RLIN) |
7649 |
| 650 #0 - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
Crítica de Arte |
| 9 (RLIN) |
16285 |
| 942 00 - ELEMENTOS DE PUNTO DE ACCESO ADICIONAL (KOHA) |
|---|
| Tipo de ítem Koha |
Libro |
| 901 ## - ELEMENTOS DE DATOS A LOCAL LDA (RLIN) |
|---|
| a |
709 |
| b |
709 |
| c |
P85 |
| 902 ## - ELEMENTOS DE DATOS B LOCAL, LDB (RLIN) |
|---|
| a |
M |
| 903 ## - ELEMENTOS DE DATOS C LOCAL, LDC (RLIN) |
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| a |
m |
| 904 ## - ELEMENTOS DE DATOS D LOCAL, LDD (RLIN) |
|---|
| a |
D |
| 905 ## - ELEMENTOS DE DATOS E LOCAL, LDE (RLIN) |
|---|
| a |
Ramos, Gabriela |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) |
|---|
| a |
110818 |
| 907 ## - ELEMENTOS DE DATOS G LOCAL, LDG (RLIN) |
|---|
| a |
011016 |
| 913 ## - |
|---|
| -- |
Preziosi, Donald |
| -- |
ed. |
| 915 ## - |
|---|
| -- |
The art of art history |
| -- |
a critical anthology |
| 917 ## - |
|---|
| -- |
591 p. |
| 918 ## - |
|---|
| -- |
Oxford history of art |
| 928 ## - |
|---|
| -- |
Oxford University Press |
| 929 ## - |
|---|
| -- |
New York |
| 930 ## - EQUIVALENCIA O REFERENCIA CRUZADA-ENCABEZAMIENTO DE TÍTULO UNIFORME [LOCAL, CANADÁ] |
|---|
| Título uniforme |
EN |
| 931 ## - |
|---|
| -- |
2 da |
| 932 ## - |
|---|
| -- |
il. b/n. |
| 933 ## - |
|---|
| -- |
2009 |
| 934 ## - |
|---|
| -- |
20090000 |
| 936 ## - OCLC/CONSER DATOS MISCELÁNEOS (OCLC); PIEZA UTILIZADA PARA CATALOGACIÓN (pre-RCAA2) (RLIN) |
|---|
| Numero(s) de control OCLC de registros paralelo(s) (OCLC); Pieza utilizada para catalogación, PUC (RLIN) |
9780199229840 |
| 947 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
|---|
| a |
EN |
| 948 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC); DESIGNADOR DE PARTE DE LA SERIE (RLIN) |
|---|
| Designador de la parte de la serie, SPT (RLIN) |
Art as history. Lives of the painters, sculptors, and architects / Giorgio Vasari -- Reflections on the imitation of Greek works in painting and sculpture / Johann Joachim Winckelmann -- Winckelmann divided: mourning the death of art history / Whitney Davis -- Patterns of intention / Michael Baxandall -- Aesthetics. The critique of judgement / Immanuel Kant -- Philosophy of fine art / Georg Wilhelm Friedrich Hegel -- Impure mimesis, or the ends of the aesthetic / D. N. Rodowick -- Fetish / William Pietz -- Form, content, style. Principles of art history / Heinrich Wolfflin -- Style / Ernst Gombrich -- Form, nineteenth-century metaphysics, and the problem of art historical description / David Summers -- Style / David Summers -- Anthropology and/as art history. Leading characteristics of the late Roman Kunstwollen / Alois Riegl -- Images from the region of the Pueblo Indians of North America / Aby Warburg -- Warburg's concept of kulturwissenschaft and its meaning for aesthetics / Edgar Wind -- Silent moves: on excluding the ethnographic subject of discourse of art history / Claire Farago -- Mechanisms of meaning. Iconography and iconology: an introduction to the study of the renaissance art / Erwin Panofsky -- Semiotics and iconography / Hubert Damisch -- Semiotics and art history: a discussion of context and senders / Mieke Bal and Norman Bryson -- Meaning/interpretation / Stephen Bann -- Deconstruction and the limits to interpretation. The temptation of new perspectives / Stephen Melville -- The origin of the work of art / Martin Heidegger -- The still life as a personal object: a note on Heidegger and Van Gogh / Meyer Schapiro -- Restitutions of the truth in pointing [pointure] / Jacques Derrida -- Authorship and Identity. What is an author? / Michel Foucault -- The discourse of others: feminists and postmodernism / Craig Owens -- Re-viewing modernist criticism / Mary Kelly -- Performative acts and gender constitution: an essay in phenomenology and feminist theory / Judith Butler -- Postmodern automatons / Rey Chow -- Every man knows where and how beauty gives him pleasure: beauty discourse and the logic of aesthetics / Amelia Jones -- Queer wallpaper / Jennifer Doyle -- Globalization and its discontents. Orientalism and the exhibitionary order / Timothy Mitchell -- The art museum as ritual / Carol Duncan -- The work of art in the age of its technological reproducibility / Walter Benjamin -- Can our values be objective? on ethics, aesthetics and progressive politics / Satya P. Mohanty -- Visual culture studies: questions of history, theory, and practice / Marquard Smith -- Life-like: historicizing process and responsiveness in digital art / María Fernández -- Epilogue: the art of art history / Donald Preziosi -- Plato's dilemma and the tasks of the art historian today |
| 953 ## - |
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| -- |
Propósitos del arte : introducción a la historia y a la apreciación del arte |
| 954 ## - |
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| -- |
HISTORIA DEL ARTE |
| 961 ## - |
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| -- |
|
| -- |
|
| -- |
SIGLO XVI |
| 961 ## - |
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| -- |
|
| -- |
SIGLO XVII |
| 961 ## - |
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| -- |
|
| -- |
SIGLO XIX |
| 964 ## - |
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| -- |
120130 |
| 965 ## - |
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| -- |
jvc |
| 966 ## - |
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| -- |
120130 |
