Fried, Michael
Why photography matters as art as never before - London: Yale University Press, 2012 - 409 p. il. col.
Three Beginnings -- Jeff Wall and Absorption; Heidegger on Worldhood and Technology -- Jeff Wall, Wittgenstein, and the Everyday -- Barthes's Punctum -- Thomas Struth's Museum Photographs -- Jean-Francois Chvrier on the "Tableau Form"; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Ronald Fischer; Douglas Gordon and Philippe Parreno's Film Zidane -- Street Photography Revisited: Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's Allegories of Intention; "Exclusion" in Candida Hofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "Bad" Objecthood James Welling, Bernd and Hilla Becher, Jeff Wall -- Conclusion: Why Photography Matters as Art as Never Before.
9780300136845
Fotografía Artística
Fotografía
Why photography matters as art as never before - London: Yale University Press, 2012 - 409 p. il. col.
Three Beginnings -- Jeff Wall and Absorption; Heidegger on Worldhood and Technology -- Jeff Wall, Wittgenstein, and the Everyday -- Barthes's Punctum -- Thomas Struth's Museum Photographs -- Jean-Francois Chvrier on the "Tableau Form"; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Ronald Fischer; Douglas Gordon and Philippe Parreno's Film Zidane -- Street Photography Revisited: Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's Allegories of Intention; "Exclusion" in Candida Hofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "Bad" Objecthood James Welling, Bernd and Hilla Becher, Jeff Wall -- Conclusion: Why Photography Matters as Art as Never Before.
9780300136845
Fotografía Artística
Fotografía