Moxey, Keith
The practice of persuasion: paradox and power in art history - Ithaca: Cornell University Press, 2000 - 146 p. il.
Art history's Hegelian unconscious: Naturalism as nationalism in the study of early netherlandish painting -- History, fiction, memory: riemenschneider and the dangers of persuasion -- Motivating history -- Perspective, Panofsky, and Philosophy of History -- Nostalgia for the Real. the troubled relation of art history to visual studies -- After the death of the "Death of the author"
0801438012
HISTORIA DE ARTE
HISTORIOGRAFIA
Crítica de Arte
The practice of persuasion: paradox and power in art history - Ithaca: Cornell University Press, 2000 - 146 p. il.
Art history's Hegelian unconscious: Naturalism as nationalism in the study of early netherlandish painting -- History, fiction, memory: riemenschneider and the dangers of persuasion -- Motivating history -- Perspective, Panofsky, and Philosophy of History -- Nostalgia for the Real. the troubled relation of art history to visual studies -- After the death of the "Death of the author"
0801438012
HISTORIA DE ARTE
HISTORIOGRAFIA
Crítica de Arte